This has to be the best new music video on YouTube this week. This fan made video of The Muppets performing Dance Yourself Clean, the amazing opening track on LCD Soundsystem's latest album, is really really sweet:
It's basically a follow-up to the Kermit-starring fan video to LCD Soundsystem's New York I Love You from a couple of years back:
Today's post marks the tenth and eleventh music video starring puppets posted to Esoteric Mumblings. Be sure to check out all the past puppet themed posts from the Internet's number one (maybe) puppet music video blog.
MGMT bashing has been all the rage across the Internet all year long, but I'm not one of the fans who hated the sophomore record. In fact, I think it's fantastic! To be fair, though, the band did bring the bashing onto themselves: After scoring the absolutely massive radio hit 'Kids', and packing their debut album full of equally danceable and dangerously addictive tunes, such as 'Electric Feel' and 'Time to Pretend', the two psychedelica-electropop-new wave-disco playing Brooklyn hipsters dressed in 60s hippie clothing were expected to continue their safe success formula, but it seems like they decided not to out of pure stubbornness. Instead, they threw away all late 70s new wave and disco influences, and instead started playing music that matched their clothing: vintage 60s hippie psychedelic rock with organic instruments. Not only did they change their sound, they also seemed to write songs with a strong focus on the fixed goal of never producing another hit song again. A friend of mine who went to Coachella this year reported that MGMT apparently flatly refused to play 'Kids', even after their fans begged them to do so. They seemed to have reached a position where they felt they could do whatever they wanted, and they decided to don't worry too much about the reactions from their fans.
While Congratulations isn't terribly unaccessible or experimental, it definitely isn't an album with any catchy radio material either. The songs are more progressive, and often straight-out weird, and quite impossible to dance to. The amazing second track 'Someone's Missing' builds up and builds up, nearing something that could have become a danceable, euphoric climax and then … just ends. Right there. 'Flash Delirium' takes us through a jungle maze of ever-changing melodies and rhythms and styles, in a freakish several-songs-in-one-experience that ends up close in style to Beatles tracks like 'Happiness Is A Warm Gun', or close MGMT friends of Montreal's 2007 album Skeletal Lamping (I never understood all the bashing of the latter, either - I loved the unstable songs, the rapid mood and melody changes and general schizophrenia throughout the album, and think is underrated in the same way as Congratulations). In the album closing and title track, MGMT manage fine without the synthesizers of the first album, and the flutes and horns and I-don't-know-what of 'Flash Delirium', and deliver the album's finest track with few more instruments to rely on than an acoustic guitar. With their immense talent, they can pull that sort of thing off easily. They're capable of catchy pop songs as well as progressive and semi-experimental rock, of bombastic synth as well as modest acoustic guitars, and this year they've proven this to the entire world.
9. Janelle Monáe - The ArchAndroid
//Country: US
//Favorite tracks: Faster, Tightrope (Feat. Big Boi), Oh Maker, Mushrooms & Roses, Make The Bus (Feat. Of Montreal)
Monáe's sound is said to be 'futuristic', but to me, she's more of a time traveller, revisiting all kinds of ages, including the future. For the charismatic singer's amazing debut LP, she serves us a concept album that refuses to limit itself to any single genre or style, taking us both forward and back in time through 70s rock and Jackson-esque funk pop, contemporary R&B, classic soul, futuristic soul-punk and afrofuturism, and more. The concept album tells the science-fiction tale of a Messias-like android called Cindi Mayweather, Monáe's alter ego, in the city of Metropolis. From the ridiculously addictive guitar riff of 'Faster' to the slow ballad 'Sir Greendown''s excellent showcasing of Monáe's incredible voice, to the absolute pop genius and funky horns of 'Tightrope', to the long prog-rock guitar solos and robotic voice filter on 'Mushrooms & Roses', the album is a true masterpiece filled with so many excellent ideas, so much sprawling creativity, such limitless artistic inspiration, and such rare flat-out refusal to confinement into any single musical style, that I really end up with nothing more to say than: The ArchAndroid can't be explained. Give it a listen, now.
8. Broken Bells - Broken Bells
//Country: US
//Favorite tracks: The High Road, October, The Mall & Misery
I absolutely loved Beck's new sound on Modern Guilt (2008), which I believe he owed much to Danger Mouse's excellent production work. When I first heard that The Shins' James Mercer were to collaborate with Danger Mouse on a new project, I was very excited - another ingenious alternative rock songwriter and beloved artist of mine was to team up with Danger Mouse and his pop production skills! While Mercer kept almost exclusively within the confines of mellow acoustic pop on the first two Shins albums, he carefully explored entirely new soundscapes on the third album Wincing The Night Away (2007), like on the excellent opener 'Sleeping Lessons'. With Broken Bells, he seems to have let himself even more free to explore new styles and sounds thanks to the different project name. Mercer's always-present characteristic voice does give us a constant reminder that this is in some ways is the next Shins album, but this is something more than just a Mercer project: while the Shins is a project that revolves around him, with him writing all the songs and playing them with an ever-changing backing band, the songwriting on Broken Bells was a true collaboration, a two-man effort. Listening to the album gives you the impression that the two great songwriters truly had fun working together. The meeting of the mastermind who wrote 'New Slang' and the mastermind who wrote 'Crazy' has resulted in one of 2010's most fresh-sounding and catchy pop albums.
7. Foals - Total Life Forever
//Country: UK
//Favorite tracks: Miami, Spanish Sahara, This Orient
Foals' 2008 debut album Antidotes was an intense three-quarter hour of fast-paced and danceable post-punk-esque music in the same alley as, for instance, early Bloc Party. This year's follow-up Total Life Forever is much more introverted, slower and my opinion actually much better. Emotional ballads like 'Spanish Sahara' and '2trees' show a new and more mature side of the band, but tracks like 'Miami', with its addictive riff, still gives us something to dance to. From the mood-setting and perfect opener, 'Blue Blood', to the anthemic chorus of 'This Orient', Foals show that they're something much more than just another hip, danceable post-punk band out to score a few hits in the world's indie club dance floors. My top ten is almost completely dominated by North American bands, but Foals manage to save Europe's honor, and released what in my opinion is one of the disappointingly few really interesting British records this year. The Brits seem to give the band the recognition it deserves: UK magazines NME and The Fly recently crowned Total Life Forever sixth best and best album of the year, respectively.
6. LCD Soundsystem - This Is Happening
//Country: US
//Favorite tracks: Home, You Wanted A Hit, All I Want, Dance Yrself Clean
On his third and allegedly final album as LCD Soundsystem, James Murphy gives us another hour of pure dance floor gold. Beats that make you want to dance and wry hipster poetry that make you chuckle - it's LCD Soundsystem like we've learn to love it, and Murphy doesn't give any impression of having 'lost his edge' yet - quite the contrary. The opener 'Dance Yrself Clean' initially just slowly builds up, until about 3 minutes into the track, when it explodes into a floor-filling dance track. The album never looses steam from that point, and takes its 00s dance formula through clear 70s and 80s influences such as David Bowie ('Drunk Girls'), Iggy Pop ('All I Want') and The Talking Heads ('Pow Pow') before it climaxes in the mind-blowing ending track 'Home' - which I honestly think is the best song Murphy's ever written. Through almost 8 minutes, the track's hypnotizing beats and Murphy's voice guides us through everything that's great about LCD Soundsystem. Please, Murphy, don't let this final track be the very final track! Thankfully, new statements by Murphy towards the end of the year indicated that the LCD Soundsystem project may live on somehow after all.
5. Eels - End Times
//Country: US
//Favorite tracks: End Times, Little Bird, On My Feet, In My Younger Days
Mark Oliver "E" Everett actually released two new Eels album this year, within just about a half year. Just for this unique case, I needed to invent a special rule for my end-of-year list: No more than one album per artist. Deciding which one of the two albums to choose was easy, however - while August's Tomorrow Morning was quite good too, I still think January's End Times is vastly superior. On previous Eels albums, frontman Mark 'E' Everett has dealt with sad topics such as death and suicide with his melancholic, but still uplifting, wry tongue-in-cheek lyrics, combined with beautiful and addictive melodies. On End Times, the topic for his lyrics is one that he quite rarely explores: love. And, more specifically - unhappy love. The recipe is the same as before, however: His frank and sad tale of the woman he loves leaving him is peppered up with his trademark talent for funny everyday observations. As when he in the title track describes an encounter with a crazy guy standing on the corner of the street shouting 'End Times Are Near' - while everyone else ignores him, E for once agrees with the poor guy - his woman is gone, so he also feels like "end times are here". On several track on the album, E is in my opinion back to songwriting on the same level of excellence as on the Eels' golden age of 1998-1999, where the two masterpieces Electro-Shock Blues and Daisies of the Galaxy were released back-to-back. E has a lot on his mind again this time around, and he presents it in an unpretentious and direct way.
4. Beach House - Teen Dream
//Country: US
//Favorite tracks: Silver Soul, Norway, Walk in the Park, 10 Mile Stereo
Baltimore duo Beach House left the modest, toned-down, lo-fi indie sound of their first two records behind, and are on this third record strutting with confidence and a new high-production, polished pop sound. Singer Victoria Legrand also seems to sing with a stronger and more confident voice than ever before. I have no doubts where the confidence of the band comes from - they're written their best album by far, and they know it. It kicks off with no less than four amazing pop songs - the sequence of 'Zebra', 'Silver Soul', 'Norway' and 'Walk In The Park' is one of the strongest and most impressive album openings you could imagine. Towards the album, the high-soaring, anthemic and haunting '10 Mile Stereo' presents us with an almost shoegaze-esque wall of sound, and is the definite proof of departure from the toned-down lo-fi music Beach House was known for in the past. Teen Dream is by far the band's biggest success so far, and they've reached tons of new fans worldwide – the proof of which I could see with my own eyes at the two live shows I saw with them this year (in February and July), which were both packed. I can't wait to see how the band follows up this exciting breakthrough album!
3. Arcade Fire - The Suburbs
//Country: Canada
//Favorite tracks: The Suburbs, Modern Man, Sprawl II (Mountains Beyond Mountains), We Used To Wait
For their hugely acclaimed third album, Arcade Fire left the pompous church organs and the political messages of Neon Bible behind, and returned to their childhood for inspiration again. Lyrics-wise, they once again have a clearly defined theme (Funeral's was death, Neon Bible was church and state): memories about growing up in the suburbs. Musically, however, they're everywhere - and so many places they've never set their foot on before. 'Month Of May' is the most straightforward rock song ever, and on 'Sprawl II (Mountains Beyond Mountains)' they've moved further than ever from the organic retro sound that made them famous, and fully indulge in electronic disco beats. An Arcade Fire song with pumping bass that you could play right between two eurodance tracks at a party without anyone noticing? Welcome to 2010.
The title track's melody is so good that I don't care that the band used it for two separate tracks, only altering the tune's pace and lyrics. The only other example I can remember of that idea working was on The Beatles Sgt. Pepper's Lonely Hearts Club Band, where they in the exact same manner revisited the title and opening track's melody for less than two minutes towards the end of the album. Yes, there I did it - I made the Sgt. Pepper comparison. But judging by the almost exclusively positive feedback on this album, and the fact that Arcade Fire have managed a second time to make a hugely successful follow-up album to an outrageously hyped predecessor, and with the Arcade Fire fever's end nowhere near in sight after their seventh year in mainstream spotlight, I no longer think it's unlikely that their songs will still be remembered decade after decade from now on, much like the Beatles'.
2. of Montreal - False Priest
//Country: US
//Favorite tracks: You Do Mutilate?, I Feel Ya Strutter, Enemy Gene, Sex Karma
I've already covered this album extensively, and have declared my love for it in oh so many ways through the past few months. If you read Norwegian, head over to my very long review here. If you're not too fluent in Norwegian, try this automatic translation of the same review, courtesy of Google Translate - and get a good laugh, if nothing else. Here's an alternate version of one False Priest's best songs (although the whole album has nothing but strong tracks):
On the album, Kevin Barnes sing this track in duet with the 9th place artist on my list - Janelle Monáe.
1. Broken Social Scene - Forgiveness Rock Record
//Country: Canada
//Favorite tracks: World Sick, All to All, Romance to the Grave, Sweetest Kill
The Canadian indie collective returned with their first proper record in five years. In the last five years, the careers/projects of several key members, notably Feist and the members of Metric and Stars, took off so completely that they're no longer able to make time in their busy schedules to contribute fully to Broken Social Scene anymore. The result: Broken Social Scene has shrinked to a band of no more than six core members. This could have made their latest effort more tame compared to their previous release, the loud and massive self-titled 2005 album, but I honestly don't think it shows - the two de facto frontmen of the band Kevin Drew and Brendan Canning truly are on top of their game on this record, and the two talented musicians' main project is Broken Social Scene and Broken Social Scene only. Opening track 'World Sick' is as massive and 'epic' in its sound as any of the most memorable BSS classics, and on tracks like 'Sweetest Kill' Drew's songwriting shines as bright as ever, spilling his guts to us with his typical frank, direct and touching lyrics. I managed to catch Broken Social Scene live in May, and the enthusiastic 9-piece live band gave me the impression that they were truly enjoying playing together, and that we can expect many more years of new BSS material. The rumors of BSS's death that floated around during the band's 5-year hiatus were definitely nothing but rumors.
20. Nóra - Er Einhver Að Hlusta? //Country: Iceland //Favorite tracks: Opin Fyrir Morði, Sjónskekkja, Skóflaðu Mér
Nóra's five multi-instrumentalists don't only play an impressive amount of different instruments on their debut album, they also wander through an impressively large number of styles. The male vocalist Egill and the female vocalist, his sister Auður, take us through ambitious Arcade Fire-style theatrical-sounding indie, Belle and Sebastian-sounding modest twee, a dark Radiohead-esque song, Nordic folk music and more through the album's fifty minutes of playful Icelandic pop. Download one of my favorite songs now:
19. Hot Chip - One Life Stand //Country: UK //Favorite tracks:Take It In, One Life Stand
While I feel that Hot Chip's latest effort in some was a disappointment compared to 2008's amazing Made In The Dark, it is still one of the albums I enjoyed the most this year. When the band released 'One Life Stand' as a preview track in late 2010, I got really hyped - while the track name surely is dorky, and the lyrics as well, they're both so incredibly and unresitably sweet. Hot Chip's short, geeky and shy front figure Alexis Taylor has always seemed like a major romantic to me. When I worked as backstage crew at a Hot Chip concert once, my suspicions were confirmed: I didn't find a wrecked backstage area afterwards, and no signs of wild partying with the local groupies - I found a clean and tidy room with a neat table with nothing to dispose of but a few burnt-out candles, as Taylor apparently had spent a romantic and relaxing evening backstage with his wife, who he of course had brought along abroad.
The whole album is chock full of warm declarations of love the title track's, but at the first listen, I didn't find any tracks that could match the title track's brilliance - until I reached the very end. After a few less convincing tracks, the album ends on the ingenious 'Take It In' - which is not only perfect album closer, but in my opinion also possibly the best song in Hot Chip's entire career. I continued listening to the album, and it grew on me more and more through time. After almost a whole year constantly on my iPod, 'Take It In' still feels as powerful, as fresh and as perfect as when I first heard it. Download it now, and you'll see what I'm talking about:
18. Two Door Cinema Club - Tourist History //Country: UK //Favorite tracks: Something Good Can Work, I Can Talk, Eat That up, It's Good for You
Uncomplicated, danceable and uplifting indie rock that any fan of bands like Phoenix, The Wombats or early Bloc Party will appreciate. Read more, or just watch the video below :
17. Holy Fuck - Latin //Country: Canada //Favorite tracks: Red Lights, Silva & Grimes, Latin America
Holy Fuck is lo-fi electronic music with no programmed elements, that feels like some sort of danceable electronic post-rock. Latin's their third album, and possibly their most intense one yet. Read more, or just check out the epic video for 'Latin America' below, which includes live footage, a video diary of the band exploring Japan, and very sweet lightning and color effects:
16. Seabear - We Built A Fire //Country: Iceland //Favorite tracks: I'll Build You A Fire, In Winter's Eyes, Wolfboy
The Icelandic folk-ish indie poppers return with a sophomore album that mostly revisits the themes, moods and soundscapes of the first. But on some tracks, electric guitars and drums are given a bigger presence than on the very acoustic first album. To me, this has been the perfect album for slow and relaxing Saturday/Sunday mornings, and it's filled with charming and soothing songs that are impossible to dislike. Seabear should be checked out by any fan of fellow countrymen múm's later and more poppy albums. Check out the colorful and beautiful little video for 'I'll Build You a Fire':
Yesterday, Eels released the second music video from their latest album, Tomorrow Morning. The new video, for 'Baby Loves Me', has a really quirky and low-budget feel to it, a big contrast to the high-production and completely awesome video they released for 'Spectacular Girl' back in July. You can watch them both out below, and be sure to check out the whole new album - I personally think it's the best music (frontman) E has made in years.
An unusual Eels video, but possibly one of my all-time favorites from the band's 15-year career. Love the combination of the songs innocent lyrics/sound and the video's plot.
Animal Collective just released a (belated) official video for 'Bluish', one of my all-time favorite songs by the band. 'Bluish' is from their highly acclaimed 2009 album Merriweather Post Pavillion, and this very trippy video in my opinion matches the psychedelic sound of the album perfectly.
Turn down the lights, take it easy and enjoy these two chillout remixes. Eat More Cake are a four-piece electronica band from London, here doing a very sweet take on Stardust's 1998 French house classic. Kevin Drew and Ohad Benchetrit are two of the many members of supergroup Broken Social Scene, and here they add their personal touch to one of my favorite tracks off their own band's latest album, Forgiveness Rock Record.
Here are the two originals:
Classic music video that takes me right back to elementary school.
My body tells me no / but I won't quit / I want more!
I'm hooked to this track - so energetic, raw and catchy. Young The Giant are a quintet from Newport Beach, and even though their self-titled debut record isn't out until October 26th, they've already grown a considerable fan base through their very solid live performances (check out the video below to get a taste!) and an EP. The sweet guitar riff, the rough, organic sound, their tireless youthful energy and the hedonistic lyrics on this track remind me of the young Strokes of the Is This It era. I'm looking forward to hear more from these guys next month!
I love Arcade Fire's new album, The Suburbs. I'm personally enjoying it much more than Neon Bible - the nostalgic stories of childhood in the suburbs in their newest effort appeal much more to me, and feel so much more personal and sincere, than Neon Bible's ambitious and grandiose attacks on church, state and society. The band further explores the theme of childhood memories in their amazing new interactive music video 'We Used to Wait', which lets you enter the town you grew up in for some very sweet personalized video collages!
Norwegian electronica duo Röyksopp are releasing their fourth studio album, Senior, on September 13. The album is entirely instrumental, a drastic turn from last year's poppy, vocal-driven Junior. Today, they finally gave their fans a taste of several of the album's tracks, in the form of the extremely weird, quirky and hilarious short film "Röyksopp Adventures in Barbieland". The ten-minute video clip features Barbie dolls, clips of new songs, and the two musicians themselves dressed to look like, er, 'senior citizens'.
The new album sounds promising, it seems like Röyksopp are going back to their roots: The 2001 chillout masterpiece Melody AM with its many atmospheric, haunting, instrumental tracks.
Definitely no new 'Kids' (which truly is one of the most memorable music videos I've ever seen), but it suits the song - one of my favorites off the new album - quite well.
Mew's official music video for the track 'Beach', off their 2009 album No More Stories Are Told Today I'm Sorry They Washed Away No More Stories The World Is Grey I'm Tired Let's Wash Away, is finally out!
The members of Danish dream pop / alternative rock band Mew first met each other in the early nineties, when the four founding members worked together on a 7th grade art project. Their project consisted of an art film combining self-composed music with self-recorded video, and was a strong hint of what to come - lead singer Jonas Bjerre still loves to combine video and music in interesting and artistic ways, something Mew fans all over the world know to appreciate.
In all their live shows, bizarre and fascinating backdrop videos always run behind the band for the entirety of the show. These are actually all made by Bjerre personally, who in the meantime between directing his 7th grade art video and breaking through internationally with Mew in 2003 actually for a period also worked professionally with post-production and special effects. For an example of Bjerre's work, check out the absolutely stunning backdrop video for 'Comforting Sounds' (if you're impatient, 4:20 is when the magic begins).
Although Bjerre doesn't produce the official music videos for the band himself, the world is always in for a treat when a new Mew music video is released nonetheless. Due to the band's love for interesting and experimental imagery, they always work with really interesting young up-and-coming directors. 'Beach' was directed by 29 year old Danish director Lasse Martinussen, who also did their last video (Repeaterbeater), and it's truly bizarre and unique - in that special Mew way.
While Beach arguably is the most straigthforward, sweet and bright song on the album, almost naive-sounding compared to other tracks such as the dark New Terrain or the complex and labyrinthian Introducing Palace Players (my absolute favorite track of 2009!), the video is far from naive and sweet. The cheerful song, compared with dark, perplexing and unnerving images, makes for a fantastic music video that makes me once again reconfirm my deep love for these Danish pop geniuses. Enjoy!
Here are some unusual cover versions of two songs I love. These two videos are both really impressive and touching - Young@Heart and PS22 are such awesome choirs!
Iggy Pop is an artist that I just keep going back to, again and again. Apart from his work with his band The Stooges, Pop has also led an amazing solo career. His first two solo efforts, Lust for Life and The Idiot are possibly my favorite albums of the 70s.
Iggy Pop is arguably one of the biggest living musical legends on the planet today. Iggy is the grandfather, king and pretty much inventor of punk music. His live shows are legendary: The raw, bare-chested, sweaty, drunken bravado at his shows in the 60s/70s have been an inspiration for punk and rock performers ever since, and an endless hoard of people have since attempted to be as kick-ass as him - which is an impossible task, of course.
After inventing his raw stage persona as the vocalist for his band The Stooges, he left the band to go solo, and then something unusual happened: he actually made even better music. In 1977 he releaed his first two solo albums, Lust for Life and The Idiot, with only a half year interval. Lust for Life is the most famous of the two, with its iconic album cover featuring Iggy's creepy and manic smile brimming at you. From the very first track (which is also the title track), you know you're in for something special: In what I honestly think is one of the best opening tracks ever made, the song comes right at you with its intense drums, and the heavy bass and Iggy's nonchalant vocals carry you through five powerful and legendary minutes.
Pop is still as active as ever today. In what has to be one of my favorite singles of 2009, he teamed up with the BPA, also known as Fatboy Slim, to record a cover of The Monochrome Set's "He's Frank". This song is an awesome meeting of two talents, and almost as good as Pop's former US-UK collaboration - which was in the 70s and with David Bowie. (Bowie wrote songs for Lust for Life and The Idiot). The song's video is awesome too, and conveniently also has a puppet theme that fits well into this blog!
I've been excited about the reunion of Pavement for some time. They're one of the best alternative rock bands of the 90s, but dissolved in 1999 - when I was thirteen years old, which means I was born a bit too late to ever have a chance to see them perform live.
Last week, I decided that I want to go to the Roskilde Festival next year, which I haven't been to since 2007. And today, Pavement were announced as the festival's first headliners! Very nice pre-Christmas gift.
And speaking of Christmas arriving soon, and Pavement being back soon, here's an amazing classic Pavement song with an OK music video starring all band members dressed as Santa Claus:
Goblin Cock is headed by Rob Crowe, of Pinback fame. Bagged and Boarded was their debut, and it's toned down metal with an old-school feel that's reminiscent of Black Sabbath, Deep Purple, and the like. If the band's pun of a name doesn't grab you, hopefully the music will.
Their sound isn't the most original, but they do it well. The video for "Young Adult Friction" makes me nostalgic for times I never had, and some of those vocals make for a heck of a Morrissey impression.
The Octopus Project is a personal favorite of mine. Their album Hello, Avalanche, is one of the most consistently fun and addictive albums I've ever heard. Their sound is a mixture of analog and electronic instrumentation, with an extremely solid rhythm section that faithfully drives every song.
Shugo Tokumaru's Exit was one of my most anxiously awaited releases. Critically acclaimed, multi-talented, and always surprising, Tokumaru has a gift for creating extremely inviting music that involves a very intricate interweaving of both traditional and eclectic sonic palettes.
Esoteric Mumblings is a multimedia blog centered in Athens, GA. We'll post songs and videos from artists of interest, both up and coming as well as those that are now long gone.
If you are an artist or label representative and dislike the free publicity of your band, please e-mail us at chrysanthemum.music@gmail.com and we'll have it removed.
10. MGMT - Congratulations
9. Janelle Monáe - The ArchAndroid
8. Broken Bells - Broken Bells
7. Foals - Total Life Forever
6. LCD Soundsystem - This Is Happening
5. Eels - End Times
4. Beach House - Teen Dream
3. Arcade Fire - The Suburbs
2. of Montreal - False Priest
1. Broken Social Scene - Forgiveness Rock Record
