Showing posts with label synthpop. Show all posts
Showing posts with label synthpop. Show all posts
September 7, 2010

Three new releases



mp3: The New Wine - Delete, Rewind

Norwegian synthpoppers The New Wine (I previously covered them here and here) finally came out with new material in Norway yesterday, the single-track digital release 'Delete, Rewind'. The band will be touring Norway in October and Europe in November. It is unfortunately still unknown when they will start releasing material outside Norway, and also when their fabled debut album - which they reported recording in studio back in May - will finally be out. Good to hear something new from them though, and it makes me hungry for more!




mp3: Röyksopp - The Alcoholic

I posted the first small tastes of Röyksopp's fourth album, Senior a month ago, and now the release date is just around the corner: September 13th is the day the acclaimed Norwegian electronica duo's new all-instrumental concept album is officially released. I've had the chance to listen through Senior in its entirety, and I must say it's definitely darker and less accessible than last year's radio-friendly Junior (the best way to experience the new album, the two musicians suggest, is 'in a dark room with an opium pipe in your hand'), but ultimately much better. Check out my favorite track, 'The Alcoholic'.




mp3: of Montreal - Enemy Gene

Another much-anticipated album that comes out next week is False Priest, the tenth studio album by Athens, GA based indiepop eccentrics of Montreal (out September 14th). Two months ago, I wrote about my anticipations for the album after having heard the first leaked track, 'Coquet Coquette'. Back then, I was puzzled by how the album was supposedly going to be very r&b and funk influenced, while 'Coquet Coquette' really sounded like one of their more straightforward indie rock tracks. Now, after having given False Priest ten listens, the answer is clear: 'Coquet Coquette' is really just an exception, and not representative of the album's style at all. In of Montreal's manic-depressive catalogue, False Priest is the manic answer to the depressive Hissing Fauna, Are You The Destroyer: a hyperactively manic, upbeat, funky and flamboyant affair with an ever present pumping bass and high falsetto throughout its 53 minute playtime. Beyoncé's younger sister Solange Knowles as well as close of Montreal friend Janelle Monáe make wonderful vocal contributions to the album and not only make the whole 'indie pop turned r&b' concept work, but actually seem quite sincere too. Check out the track 'Enemy Gene' featuring Monáe, or read my blog entry about her previous collaboration with of Montreal.
July 17, 2010

New Cut Copy material



mp3: Cut Copy - Where I'm Going

mp3: Cut Copy - Lights & Music (Moullinex remix)

Melbourne-based Cut Copy have given us the first taste of their upcoming third album, in the form of the free track "Where I'm Going". It's a tough task to make a follow-up to the hugely popular 2008 album In Ghost Colours - an insanely catchy synthpop album filled to the brim with danceable hit material. Judging by this first track, they're approaching the task by just doing something rather different: the follow-up seems to be 60s and psychedelica inspired, which is a major turn away from the New Order / 90s dance influences of the In Ghost Colours. That's judging by one new track, though - it will be interesting to see how this turns out!

Download the new track above, along with what I personally consider to the hands down best remix of any of the first album's tracks.

Cut Copy's new album is due out early 2011.
February 20, 2010

Live at By:Larm - The New Wine


(click mp3 links to listen. Right-click to save)

This week, I attended the By:Larm festival in Oslo, Norway, which ran from Thursday through Saturday. By:Larm is mainly an event for music industry insiders, being a conference at daytime and a festival with mini-concerts by night. The latter is however open to the general public, and gives music fans like me a unique chance to experience a ton of shows by interesting artists that are on the verge of success, either in their homelands or internationally (to quote By:Larm's website). In the next few days, I'll try to write about some of the great Nordic bands (Norwegian and Icelandic) that I saw!

In my opinion, one of the definite highlights of the festival was Thursday night's performance by the Bergen synthpop quartet The New Wine. I wrote about these guys (more or less) exactly a year ago, and was excited to finally see this promising new band live. In the course of 30 minutes (that's all the time they were allocated), they managed to make the whole crowd dance in unison to their addictive and funky synth- and guitar based dance music. Bridge, from their EP with the same name, was especially memorable.

The band is said to be inspired by Nintendo composer Koji Kondo and fellow Bergen musician Erlend Øye's band The Whitest Boy Alive, and the result is a very catchy and playful blend of lush guitars and geeky retro/chipcore-esque bleeps and bloops. Their music also reminds me a lot of the early days of French indie stars Phoenix, more specifically their very funk and dance influenced debut United. Listen to Phoenix' classic If I Ever Feel Better and see if you agree.

Similarly to The Whitest Boy Alive, the main quest of The New Wine at any concert is to make the crowd have fun and dance, and covering very digital house tunes with analogue instruments is one way of reaching that goal. At their 08-09 tour, The New Wine did an awesome cover version of one my favorite house tracks from recent years, Fred Falke's amazing remix of The Whitest Boy Alive's Golden Cage. Check out this very cool Youtube video, where Mr. Øye (vocalist of the Whitest Boy Alive) himself joined the boys on stage and did the vocals for the cover version of the remix of his own song (I know, confusing).

I expect these young and talented musicians to very soon fill dancefloors around the world in the same way their (ten year older) idols in Phoenix and Whitest Boy Alive are doing now, and I for one will continue to follow The New Wine closely - gentlemen, please release a debut album NOW!