Enjoy some selected minimalist acoustic christmas tunes by Erlend Øye (Kings of Convenience, Whitest Boy Alive), E (Eels) and more. I guarantee you peaceful Christmas atmosphere if you fire up this playlist at medium to low volume on your living room stereo. Happy holidays, everyone!
15. Young The Giant - Young The Giant //Country: US //Favorite tracks: My Body, Cough Syrup, I Got
Very promising debut album from energetic indie rockers, reminiscent of the debuts of artists such as Franz Ferdinand, The Killers and The Strokes. Read more, or watch the video for my favorite song:
14. Jónsi - Go //Country: Iceland //Favorite tracks: Kolniður, Hengilás, Boy Lilikoi
Sigur Rós' vocalist Jónsi is way too happy these days to make melancholic, dark and dramatic post-rock, it seems. We could already sense this in the band's 2008 album Með suð í eyrum við spilum endalaust, which was much more upbeat and cheerful than before, only occasionally diving into Jónsi's trademark melancholy. When he released his debut solo album this year, the recipe was exactly the same: happier and more fast-paced music. Turning solo also allowed him to explore several things that were harder to do under the Sigur Rós moniker, namely a complete overhaul of instruments and soundscape, and singing in English instead of Iceland or 'Hopelandic'. Check out the beautiful unofficial video for Kolniður below. It's basically shamelessly copying the style of Sigur Rós' Heima DVD, but I don't care - slow images of picturesque landscapes is what still works the best together with Jónsi's magical voice.
My favorite Jónsi song of 2010 is however not on this album! Check out the almost painfully beautiful 'Icicle Sleeve', a song that for some unfathomable reason didn't make the album, but has been played live on this year's tour:
Damon Albarn and his many friends jump from genre to genre in this very eclectic album that just about anyone can find something they enjoy on. Hip hop legend, 60s/70s alternative rocker, and Swedish-Japanese indietronica singer - an amazingly diverse mixture of artists joined in on Albarn's project this time around, and contributed with their vocals. If you've ever found yourself at a party with a diverse musical crowd in 2010, you'll know that Plastic Beach has the rare gift of bringing together the indie kids, the electronica purists and the hip hoppers in front of the stereo, singing along to the lyrics in peaceful unison. This album is so full of hit material that it's hard to pick any favorite tracks - from the amazing buildup of electronica track 'Empire Ants', to Lou Reed's incredibly cool and nonchalant rapping on 'Some Kind of Nature', there are too many great moments to choose from. But I do know that this is the video I'll always remember this album for, and also that this is the song that will always come to my mind first when I think about the spectacular Gorillaz show I saw this summer:
12. Röyksopp - Senior //Country: Norway //Favorite tracks: Senior Living, The Alcoholic, The Drug
For their fourth album, the Norwegian electronica duo went back to their roots - instrumental and atmospheric chillout music. After two albums of vocal heavy electro pop, they returned to their debut album's magical and at times even eerie soundscapes. The latter dominated on this year's album, as it's apparently inspired by darkness, drugs and … senior citizens. Read more, or check out the mesmerizing video for 'The Drug':
11. Vampire Weekend - Contra //Country: US //Favorite tracks: Horchata, Holiday, Cousins, White Sky
Ah, the sophomore album - it's never an easy task, and as for indie phenomenas MGMT and Vampire Weekend, we saw two very different approaches this year. While I very much respected MGMT's decision to not just follow the same formula as on their very hyped debut album, with the high risk of disappointing their fans by failing to re-create the debut's magic, I equally respect Vampire Weekend for just giving it a shot - and actually succeeding! The 2007 self-titled debut included lesson after lesson in magical pop song writing, with afropop rhythms that never tried to hide its very obvious strong Paul Simon influences. This year's album includes … exactly the same. And the same number of unforgettable songs. Check out my favorite song now:
20. Nóra - Er Einhver Að Hlusta? //Country: Iceland //Favorite tracks: Opin Fyrir Morði, Sjónskekkja, Skóflaðu Mér
Nóra's five multi-instrumentalists don't only play an impressive amount of different instruments on their debut album, they also wander through an impressively large number of styles. The male vocalist Egill and the female vocalist, his sister Auður, take us through ambitious Arcade Fire-style theatrical-sounding indie, Belle and Sebastian-sounding modest twee, a dark Radiohead-esque song, Nordic folk music and more through the album's fifty minutes of playful Icelandic pop. Download one of my favorite songs now:
19. Hot Chip - One Life Stand //Country: UK //Favorite tracks:Take It In, One Life Stand
While I feel that Hot Chip's latest effort in some was a disappointment compared to 2008's amazing Made In The Dark, it is still one of the albums I enjoyed the most this year. When the band released 'One Life Stand' as a preview track in late 2010, I got really hyped - while the track name surely is dorky, and the lyrics as well, they're both so incredibly and unresitably sweet. Hot Chip's short, geeky and shy front figure Alexis Taylor has always seemed like a major romantic to me. When I worked as backstage crew at a Hot Chip concert once, my suspicions were confirmed: I didn't find a wrecked backstage area afterwards, and no signs of wild partying with the local groupies - I found a clean and tidy room with a neat table with nothing to dispose of but a few burnt-out candles, as Taylor apparently had spent a romantic and relaxing evening backstage with his wife, who he of course had brought along abroad.
The whole album is chock full of warm declarations of love the title track's, but at the first listen, I didn't find any tracks that could match the title track's brilliance - until I reached the very end. After a few less convincing tracks, the album ends on the ingenious 'Take It In' - which is not only perfect album closer, but in my opinion also possibly the best song in Hot Chip's entire career. I continued listening to the album, and it grew on me more and more through time. After almost a whole year constantly on my iPod, 'Take It In' still feels as powerful, as fresh and as perfect as when I first heard it. Download it now, and you'll see what I'm talking about:
18. Two Door Cinema Club - Tourist History //Country: UK //Favorite tracks: Something Good Can Work, I Can Talk, Eat That up, It's Good for You
Uncomplicated, danceable and uplifting indie rock that any fan of bands like Phoenix, The Wombats or early Bloc Party will appreciate. Read more, or just watch the video below :
17. Holy Fuck - Latin //Country: Canada //Favorite tracks: Red Lights, Silva & Grimes, Latin America
Holy Fuck is lo-fi electronic music with no programmed elements, that feels like some sort of danceable electronic post-rock. Latin's their third album, and possibly their most intense one yet. Read more, or just check out the epic video for 'Latin America' below, which includes live footage, a video diary of the band exploring Japan, and very sweet lightning and color effects:
16. Seabear - We Built A Fire //Country: Iceland //Favorite tracks: I'll Build You A Fire, In Winter's Eyes, Wolfboy
The Icelandic folk-ish indie poppers return with a sophomore album that mostly revisits the themes, moods and soundscapes of the first. But on some tracks, electric guitars and drums are given a bigger presence than on the very acoustic first album. To me, this has been the perfect album for slow and relaxing Saturday/Sunday mornings, and it's filled with charming and soothing songs that are impossible to dislike. Seabear should be checked out by any fan of fellow countrymen múm's later and more poppy albums. Check out the colorful and beautiful little video for 'I'll Build You a Fire':
Jónsi, the modest, shy and low-talking frontman of Icelandic postrockers Sigur Rós, is releasing his first solo album Go on April 5th. In this track from the much-anticipated album, he once again showcases his charismatic, confident and very strong voice. The musical arrangement is now slightly different from Sigur Rós, but Jónsi's songwriting talent and amazing vocal performance are as strong and mesmerizing as ever – the only difference being that it's now all in English, and not his native language Icelandic or his self-invented language "hopelandic". Although I'm sad that Sigur Rós most likely has come to an end as a band, I can't wait to get my hands on Go – its release is for me just as big of an even as any Sigur Rós main release. The last time the eccentric, charismatic and hyper-creative vocalist of a truly world-famous Icelandic band went solo, Bjørk of The Sugarcubes, it was not the end of anything, but rather the start of an even more amazing career. I don't think anything can stop the very talented Jónsi from going down the same path from now!
Northern Irish indie pop band Two Door Cinema Club plays happy, uplifting and catchy guitar pop that's perfect for the sunny spring weather I (and hopefully all you readers) am enjoying at the moment. Two Door Cinema Club's debut album Tourist History was released on one of my favorite labels, the French indie/electro label Kitsuné Records, on March 1st. It has often been compared to Foals and Bloc Party's debut albums, and I can see the similarity – like these fellow UK indie rock debut albums, Tourist History also incorporates elements of post-punk sound with dance-oriented melodies for a fresh and young sounding LP.
While I'm a big fan of everything Sigur Rós and their frontman Jónsi have ever released (including all Sigur Rós LPs and Jónsi's two recent side project albums), their sophomore album Ágætis Byrjun will always stand out as something special to me. This masterpiece is one of my definite favorite albums of all time – an intense 1-hour long deep dive into Sigur Rós unique and mesmerizing world. The track Ný batterí is in my opinion one of the most hypnotizing out-of-this-world experiences on the whole album, and I'd almost call it one of the album's highlights, if it wasn't for the fact that I think there are nothing but highlights on the entire album.
Ný Batterí's perfect progression, its beautiful build-up, is what really does it for me, and I used to think it was perfect – until I discovered this EP a couple of years back. On this EP, Sigur Rós extend Ný Batterí's initial horn section by almost five minutes, and dub this introductory part Rafmagnið Búið. Since this track continues directly into Ný Batterí, the result is essentially a twelve-and-a-half minute long extended version of one of my favorite songs. Track 3 and 4 on this EP are cover versions of two well-known Icelandic songs. Sigur Rós originally recorded these amazing cover tracks for the soundtrack to the Icelandic movie 'Angels of the Universe'.
For anyone out there who loves Ágætis Byrjun as much (or even half as much) as I do, these four tracks are bound to be happy revisit to this excellent period in Sigur Rós' career.
Next up in my coverage of By:Larm is experimental artist Jóhann Jóhannsson from Iceland. Jóhannsson is classically trained and works as a composer of movie and play soundtracks, producer, and experimental electronic/ambient music artist.
His live show at By:Larm was one of the most unique concert experiences I've had in a long time. His hypnotizing electronic ambient music, played in near-darkness, was supported by a live string quartet, and the result was an overwhelming and moving experience, and a truly beautiful show.
Having the string quartet with him on stage allowed Jóhannsson to include some of the lush string-based tracks from his 2006 album IBM 1401, A User's Manual, which are rarely performed live. Check out the track Part 2/IBM1403 Printer to get an impression of how this album manages to combine long stretches of cold, low-volume machine bleeps and bloops and obscure snippets of an audio manual to an old IBM computer with sections of warm and intense strings, and turn it into something truly beautiful. It all fades into each other in a unique way that just works. It took me a while after this concert to realize that I was indeed back on planet earth, and no longer floating around space, or perhaps (as during the more intense sections) trapped in the spaceship of 2001: A Space Oddissey.
For something more easily accessible, try Efripídes Og Neðripídel from Jóhannssons more upbeat album Dís (2004). On this track, the electronic soundscape is supported by live drums and guitars for a more energetic and cheerful instrumental track.
Esoteric Mumblings is a multimedia blog centered in Athens, GA. We'll post songs and videos from artists of interest, both up and coming as well as those that are now long gone.
If you are an artist or label representative and dislike the free publicity of your band, please e-mail us at chrysanthemum.music@gmail.com and we'll have it removed.
Keeping it simple. This is Sigur Rós' Ný Batterí EP.
